Our everyday world is a hive of interesting spatial information. Interested by how sounds relate to the real-world system that created them, I used analysis tools to explore and extract the dynamic spatial patterns of sounds in situ and use the results to create control systems to connect drama, gesture, context and character. In Reality and Secrets No. 2 I chose two main materials: children sledging downhill and cellist Tanja Orning performing various materials composed for her.