“At the entrance to this place, we can barely escape total flattening under a colossal pillar of glass that crashes within a few millimeters of us.
During our passage here, other cylinders will thus fall down very close to us, but this first one will remain the most massive.
Everything here is white. Both the background, rather skeletal, as well as the swarms of winged, croaking creatures of all sizes who harass us, without ever pausing. Someone wants to pressure us to get something, maybe a confession
We now arrive at a central oasis, which is also a veritable respite
The voice is mechanized, with accents from beyond the grave, but also has a strangely insistent and demonstrative component.
“See, it’s easy, you can do it too…” seems to be the underlying message.”
[iii-18]
Details
Broadcasts
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- Patrick Ascione, Enième (2004), 10:11
- Dominique Bassal, axet remperimos te: Room 414, The Concession (2014-17), 8:12
- Hans Tutschku, Issho ni (2014), 30:55
- Leah Reid, Ring, Resonate, Resound (2014), 7:22
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- Dominique Bassal, axet remperimos te: Room 414, The Concession (2014-17), 8:12
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- Dominique Bassal, axet remperimos te: Room 414, The Concession (2014-17), 8:12
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- Dominique Bassal, axet remperimos te: Room 414, The Concession (2014-17), 8:12
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- Francis Dhomont, Le flux des sons (2010), 5:44
- Dominique Bassal, axet remperimos te: Room 414, The Concession (2014-17), 8:12
