The simple title of Songs hides a deep work that Roux states is based in mathematics, symmetry (and assymetry) and organized randomness. Songs is a skillfully and beautifully rendered album of gentle and sometimes not-so-gentle acoustic instruments and melodic granular clouds. Each song is titled simply by the instruments that make it, thus stressing the process involved in their production. From the ubiquitous guitars, piano, and drums to the more exotic metallophone, harp and contrabass, Roux combines these acoustic instruments with digital sounds and makes a point to keep the focus on the instruments themselves, allowing for their subtleties and idiosyncrasies to come to the forefront.

[xi-08]