Hi_Res has been performed in Karlsruhe and Montréal…
Hi_Res investigates a technology fetish, the kind often featured in B-series science-fiction movies. At the basis of Hi_Res is a text — a short excerpt from the user manual for the Motor Mix MIDI controller — read by Canadian composer Darren Copeland. In a sense, this assumed awkwardness highlights the absurd importance technology has taken in art. So I admit it: there is a kitsch side to this piece, and it is peppered with irony.
[English translation: François Couture, viii-07]
Hi_Res was realized in 2005 at the studios of the Zentrum für Kunst und Medientechnologie Karlsruhe (ZKM) in Germany. A first version premiered on February 11, 2005 during the trans_canada festival at the ZKM’s ZKM_Medientheater. The final version premiered on May 14, 2005, under the provisional title Hi_Res.1, during the Elektra Festival at Usine C in Montréal. The piece was commissioned by the ZKM. My thanks to Ludger Brümmer, the team of the ZKM’s Institut für Musik & Akustik, and Darren Copeland.
- February 11, 2005, Louis Dufort, diffusion • trans_canada: Paysages • Landschaften • Landscape, ZKM_Medientheater, Karlsruhe (Germany)
- May 14, 2005, Elektra 6: Concert, Usine C, Montréal (Québec)
February 11, 2005Karlsruhe (Germany)
May 14, 2005Montréal (Québec)
November 29, 2012Karlsruhe (Germany)
|November 2, 2008||Louis Dufort, Hi_Res (2005)||CKLN 88.1 FM (Canada)|
|January 2, 2009||Louis Dufort, Hi_Res (2005)||Sound Quality / ABC Radio National (Australia)|
|May 12, 2009||Louis Dufort, Hi_Res (2005)||Média inconnu|
|April 1, 2010||Louis Dufort, Hi_Res (2005)||Radio Horizon 93.9 (South Africa)|
|November 29, 2010||Louis Dufort, Hi_Res (2005)||Foldover / WOBC 91.5 FM (USA)|
|January 17, 2011||Louis Dufort, Hi_Res (2005)||Électrain de nuit / France Musique (France)|
|July 27, 2014||Louis Dufort, Hi_Res (2005)||Martian Gardens / WMUA (USA)|